Kehinde Wiley
Weird Sociology
Courtesy artist and Deitch Projects, New York
In the catalog accompanying “The World Stage: Africa, Lagos~Dakar,” an exhibition of Kehinde Wiley’s paintings at the Studio Museum in Harlem, the artist holds forth on various aspects of his work—among them, his African heritage, the role of mimicry in art, being a twin, and themes of gender and postcolonialism. He lists as his peers Allen Ginsberg, Britney Spears, Fragonard, Versace and Kara Walker. He’s not crazy about Spike Lee or Titian, and is suspicious of Barack Obama—“his rabbit holes,” Wiley says, “are capable of losing structural integrity by virtue of their own weight.”
Which is to say: Let’s be be thankful that Mr. read more »
